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Coaching from a Distance?

ON WRITING & DIRECTING - by G.L. Horton

CBH writes: hello i have an audition and i'm doing your monologue the Elegy and i would love advice. my audition's tomorow and i could really use your help. please e-mail me back a.s.a.p. sorry to cause you any trouble.

It's no trouble, but I don't know how I can coach you at a distance. Acting is "present".

"Elegy" is calm on the surface, the rage is underneath, suppressed. It's a good piece for using the standard "Method" of emotional memory, where you associate a very specific memory of hurt or injustice with each time the character refers to her father's treatment of her.

Break it down into specific parts, and make each part different (slightly). And it helps to build mental pictures of all the people mentioned in it, and see them, their expressions, in your mind's eye when you talk of them. Also-- who is your audience? A single friend? A therapy group? The literal people in front of you when you do it?

Why are you telling it at this moment? These are things you must imagine and bring to life. I've only supplied the words. (8/25/04)

 

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